Real Hollywood negative sizes → digital megapixels & K resolution, with correct anamorphic lens behaviour.
| Source | Film | lp/mm | Equiv. |
|---|---|---|---|
| Roger Cicala (Lensrentals) | Velvia 50 / Ektar 100 | 70–85 | ~20–25 MP |
| Tim Parkin / OnLandscape | Fuji Velvia 50 | 80–100 (centre) | 22–28 MP |
| Ken Rockwell | Best 35mm colour | ~80 avg | 22–25 MP |
| Hamrick / VueScan | 4000–5400 ppi scans | — | 23–26 MP |
| Imacon / Flextight users | Velvia 50 drum-scanned | — | 24–30 MP |
| Theoretical max | Tech Pan, Adox CMS 20 | 120–160 | 35–45 MP |